Curtain call - comedian Joseph Kline Emmet in Albany, NY

In the 1880s, nobody of Albany was a more welcome and popular sight as Joseph Kline Emmet. Cordial, good-natured, generous, and often carry a trifle of tipsy, the renowned actor rule with the warmest greetings from all segments of society of the city was fulfilled as he took his almost ritualistic promenades along Pearl Street. "Fritz" was the stage name to use as it universally and lovingly responded in kind to the greetings known, including records of the day both Newsboys and bank President in his local army testify admirers and friends.

After all, Fritz was a big star in his day. When and where always took he cried to see your favorite comedian and no exporting on the stage full houses, it was said, offered a higher salary than the one-time Missouri mill workers. Well over a century ago floated Fritz's average annual gain to the 100,000 $-brand (the equivalent of more than two million dollars today).

But could be a star for Serendipity and a generally unsuspecting Albany public never become Fritz. The son first went poverty stricken Irish immigrants, Joseph Kline Emmet at the age of ten, as the sole support of his mother and two sisters in a St. Louis mill in return for $1.50 work a week and all the together could eat the ailing family. Emmet was only a few years on his own later by the death of his mother and his sisters early marriages.

Before long he found his way to the stage and into the minstrel circuit where he role of the "Fritz," America's first dialect comedy characters (think Katzenjammer kids) introduced. Understandably, at least a German philologist and has in recent years that rubbed cultural reality of the nineteenth century, but in the simple, unself-conscious ethnic caricature of Fritz's day, based the character landlord from his time in St. Louis rooming life loose one of Emmet.

Although Emmet already Fritz variety theatres and minstrel company was been portrayed for several years in New York City, it was his first appearance in a piece, the seine-- and Fritz's-glory backed up. In one tells the story, which is in itself, Fritz, melodramatic our cousin English was written during a hectic all-night session only hours before your scheduled opening on a Buffalo theatre. This is at least the local version.

With a bottle of ink on one hand and a bottle of liquor to the other Charles Gayler (some local stories have it "Gaylord"), then a leading figure of the American Theatre, scribbled furiously the game that has been to make rich and famous Emmet. The work was completed at the last minute and the spontaneous and uneducated actor took the stage.

The game was only moderately well received during the first week in Buffalo, but it was there that fate intervened and Emmet gave a much needed break. The closing tag of commitment was the theatre manager a telegram from the next scheduled performers, informing him that not in the position posting to keep would. Emmet was asked to fill. Unlikely, the scene repeated the following week, and the game ended with an impressive three-week do that seemed to refute the mediocre notices he had.

Emmet in Albany--arrived were two weeks late - audience convinced that advanced commitment must certainly mean a big hit. The enthusiastic, standing room only crowds the Emmet ensures here greeted his success and not played small part Fritz make a theatrical phenomenon. This is certainly the story Albany writer, the time recount. Perhaps more goal the accounts in the theatrical stories emerge note, that the game, the first of four scripts for Emmet character, Fritz von Vonderblinkenstoffen, written for a two-month run that actually July 1870 had opened in New York at Wallack's Theatre 11 followed one year-tour before the show returned to New York.

But it is clear that Fritz was immediately and then always a favorite of the Albanians and the feeling was fully reciprocated. A dozen years after his first, random visit of the city, Fritz returned, to make his home Albany. The imposing some garish mansion built in 1882 to Van Rensselaer Boulevard he there but after his early death at age 51 was passed as "Fritz Villa" known, during the ten years lived the property into other hands and underwent a name change.

Joseph Kline Emmet died on 15 June 1891, succumb to pneumonia and a general State of heat dissipation that he even attributed to "demand an insatiable sometimes alcohol." At his funeral, praised the Reverend Dr. Farrar of Trinity Methodist Church Fritz as a man ", which was all souled and kind, but his own worst enemy." Emmet was buried rural cemetery, like so many prominent Albanians through the centuries in Albany.

As for Emmet Albany estate his oversized home soon developed a meaning apart from his legacy to a central location for generations of Albanians. 1891 Not long after Emmet death, New York Governor David Hill purchased "Fritz Villa" and called it "Wolfert's Roost" under the new name of a Washington Irving history. It kept that name in later years, when it was one of the region are most popular and prominent country clubs.

Excerpt from Albany Scrapbook, vol. 1 by Kenneth Salzmann Copyright 2006 http://www.albanyscrapbook.blogspot.com http://www.literaryenterprises.com

Kenneth Salzmann is a freelance writer, which Albany Geschichte columns originally appeared in the magazine, Albany, New York, in the 1980s.

Curtain Call - actor Joseph Kline Emmet in Albany, New York

In the 1880s, no man on Albany was a more timely and more popular than Joseph Kline Emmet view. Cordial, jovial, generous and often a drunk bagatelle, that the famous actor was generally met with more greetings from all segments of society in the city that he took his almost ritual walks down Pearl Street. "Fritz", using the stage name by which he was universally and affectionately known, has responded in kind for the greetings including day records attest both workers and Chairmen of its local army of fans and friends of the Bank.

After all, in its time, Fritz was a major star.When and where it took to the stage attic demanded to see their favorite comic and no interpreter, it has been said, commissioned a salary higher than the factory worker Missouri unique.Plus a century earlier, the average annual salary of Fritz oscillated around of the benchmark of $100,000 (equivalent of over two million today).

But Fritz could never have become a star if not for Serendipity and Albany public generally guileless.Le son of Irish immigrants ravaged by poverty, Joseph Kline Emmet first work at the age of ten years, as the sole support of his mother and two sisters in St. Louis plant in exchange for $1.50 per week and hominy struggling family could eat. Emmet was left entirely on its own a few years later by the death of his mother and his sisters early marriage.

Before long, he found his way to the stage and the minstrel, circuit where he introduced the first German dialect "Fritz" character comedy character America (think Katzenjammer Kids).Naturally, at least a German scholar has used this cultural reality of the 19th century, in recent years, but in the easy unself-ethnic conscious cartoon day Fritz, the character was loosely based on one of the owners of Emmet of his time living in houses of St. Louis homes.

Emmet was already portraying Fritz for several years in New York City various theatres and companies minstrel, is his first appearance in a long piece which won her - and Fritz - the célébrité.Dans a tell the story that is melodramatic self-confidence, Fritz, our German cousin has written a night frenzy hours before its opening in a Buffalo Theatre session. It is at least, the local version.

With a bottle of ink in one hand and a bottle of brandy to another, Charles Gayler (some local stories have it "Gaylord"), then one of the figures in the American Theatre, the griffonné furiously Premier exhibit was to make rich Emmet and célèbres.Le work is completed at the last minute and improvised and non-educated actor took the stage.

The room was only moderately well received during the initial execution of a week in Buffalo, but it is there that fate intervened and gave Emmet essential pause.Commitment, closing date theatre manager has received a telegram of artists at the next request informing them that they did would be able to keep the réservation.Emmet step asked fill.Surprisingly, the scene repeated the following week, and exhibit is found with an impressive three weeks run which appeared to contradict the poor opinion, he had earned.

By the arrival of Emmet in Albany - two end - week public were convinced that extended engagement must certainly mean a major success.The enthusiastic crowd, standing-room only Emmet hosted here insured his success and played no small role in the manufacture of Fritz a theatrical phenomenon.In any case, it is Albany writers of the counting of time history .the ' goal perhaps more accounts than theatrical stories Please note that the exhibit, the first of the four scripts written for Emmet, Fritz Von character Vonderblinkenstoffen, actually opened in New York at the Wallack Theatre on July 11, 1870, for a two month which was followed by a visit of the year prior to the show back in New York.

But what is clear is that Fritz was immediately and never after the favourite Albanian and the feeling was reciprocated pleinement.Une ten years after his first visit fortuitous city, Fritz returned to Albany its imposing mansion domicile.Le a bit garish, that he has erected on the Boulevard Van Rensselaer in 1882 was known as "Fritz Villa" in the decade that he lived there, but after his death at the age of 51 succession passed in the other hand and underwent a name change.

Joseph Kline Emmet died on June 15, 1891, succumbed to pneumonia and a general State of dissipation which himself attributed to "a desire insatiable sometimes for alcohol". at his funeral, the Reverend Farrar of Trinity Methodist Church Fritz as a man "who was all-souled and benevolent, but his worst enemy."Emmet was buried at the Albany Rural cemetery as many prominent Albanian throughout the centuries.

As Albany real estate Emmet, oversized home quickly developed significance outside of his inheritance became a central to generations of Albanian 1891, when shortly after the death of Emmet, Governor of New York David Hill purchased "Fritz Villa" and renamed "The Wolfert Roost", taking the name again to a tale of Washington Irving.Il has retained this name, years later, while it became one of most popular country and the most prominent area clubs.

From the album of Albany, vol. 1 by Kenneth Salzmann Copyright 2006 http://www.albanyscrapbook.blogspot.com http://www.literaryenterprises.com

Kenneth Salzmann is a freelance writer whose history Albany columns appear in the magazine, Albany, New York, in the 1980s.